{"id":2875,"date":"2019-05-12T16:06:03","date_gmt":"2019-05-12T15:06:03","guid":{"rendered":"https:\/\/worlddanceheritage.org\/?p=2875"},"modified":"2023-08-07T10:37:59","modified_gmt":"2023-08-07T09:37:59","slug":"sahar-samara","status":"publish","type":"post","link":"https:\/\/worlddanceheritage.org\/sahar-samara\/","title":{"rendered":"Sahar Samara \u2013 Modern but Mellow (5.7.5)"},"content":{"rendered":"\n<figure class=\"wp-block-image aligncenter is-resized\"><img data-src=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahara-samara-dancer.jpg\" data-srcset=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahara-samara-dancer.jpg 600w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahara-samara-dancer-200x300.jpg 200w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahara-samara-dancer-533x800.jpg 533w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahara-samara-dancer-355x533.jpg 355w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahara-samara-dancer-267x400.jpg 267w\" decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"Analysis of Sahara Samara the Egyptian dancer\" class=\"wp-image-2895 lazyload\" width=\"300\" height=\"450\"  sizes=\"(max-width: 300px) 100vw, 300px\" \/><noscript><img decoding=\"async\" src=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahara-samara-dancer.jpg\" alt=\"Analysis of Sahara Samara the Egyptian dancer\" class=\"wp-image-2895\" width=\"300\" height=\"450\" srcset=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahara-samara-dancer.jpg 600w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahara-samara-dancer-200x300.jpg 200w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahara-samara-dancer-533x800.jpg 533w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahara-samara-dancer-355x533.jpg 355w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahara-samara-dancer-267x400.jpg 267w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/noscript><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Background of Sahar Samara<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Another Egyptian dancer who teaches at the <em><a href=\"https:\/\/nilegroup.se\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nile Group Festival<\/a><\/em> is Sahar Samara.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">She also participated in the raqs sharqi competition <em>Al Rakesa<\/em>, organised by Dina, and she came second.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I found a little bit more information about her from the website of a raqs sharqi festival held in France, where she taught (Oriental Marathon Festival, no date).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">According to that website, Sahar was born in Egypt and studied Raqs sharqi and folklore with Tito Seif, whose dance troupe she was part of.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Video Analysed<\/h2>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe class=\"lazyload\" data-src=\"https:\/\/www.youtube.com\/embed\/JWlbG3n7kfQ?feature=oembed\" title=\"SAHAR bellydance\" width=\"1080\" height=\"608\"  frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Laban Analysis<\/h2>\n\n\n\n<figure class=\"wp-block-image aligncenter\"><img data-src=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahar-samara-laban-analysis.jpg\" data-srcset=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahar-samara-laban-analysis.jpg 478w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahar-samara-laban-analysis-300x206.jpg 300w\" decoding=\"async\" width=\"478\" height=\"329\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"Sahar samara laban analysis of her dance movements\" class=\"wp-image-2882 lazyload\"  sizes=\"(max-width: 478px) 100vw, 478px\" \/><noscript><img decoding=\"async\" width=\"478\" height=\"329\" src=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahar-samara-laban-analysis.jpg\" alt=\"Sahar samara laban analysis of her dance movements\" class=\"wp-image-2882\" srcset=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahar-samara-laban-analysis.jpg 478w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2019\/05\/sahar-samara-laban-analysis-300x206.jpg 300w\" sizes=\"(max-width: 478px) 100vw, 478px\"><\/noscript><figcaption class=\"wp-element-caption\"> <strong>Table 38<\/strong> &#8211; Sahar Samara\u2019s style <span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/worlddanceheritage.org\/laban-analysis-2000s\/\">Laban analysis<\/a><\/strong><\/span><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"> Table 38 shows a summary of Sahar\u2019s style.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">There are several videos of her dancing online, mostly from live performances at festivals in and outside of Egypt. One example shows her dancing in 2014 at the <em>Nile Group Festival<\/em> (Daniella Cairo, 2014b).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">She is clearly influenced by Dina and Randa, but overall her style is more relaxed than Randa\u2019s and less intense than Dina\u2019s in terms of facial expressions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">She is more mellow, which shows that not all contemporary Egyptian Raqs sharqi dancers have an over-assertive attitude.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hence, maybe the quality of the dance is not just dependent on trends and social environments, but also on other factors such as individual history and personality, the type of audience they want to appeal to, and taste.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><a href=\"https:\/\/tinyurl.com\/y3gnysmb\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-src=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/08\/dance-binarism-paper.jpg\" data-srcset=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/08\/dance-binarism-paper.jpg 560w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/08\/dance-binarism-paper-480x270.jpg 480w\" decoding=\"async\" width=\"560\" height=\"315\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"\" class=\"wp-image-15476 lazyload\"  sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 560px, 100vw\" \/><noscript><img decoding=\"async\" width=\"560\" height=\"315\" src=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/08\/dance-binarism-paper.jpg\" alt=\"\" class=\"wp-image-15476\" srcset=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/08\/dance-binarism-paper.jpg 560w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/08\/dance-binarism-paper-480x270.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 560px, 100vw\"><\/noscript><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-white-background-color has-text-color has-background wp-block-paragraph\"><strong>Next Page &gt;&gt; <span style=\"text-decoration: underline;\"><a href=\"https:\/\/worlddanceheritage.org\/belly-dancers-egyptian-media\/\">Belly Dancers in Contemporary Egyptian Media<\/a><\/span>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Background of Sahar Samara Another Egyptian dancer who teaches at the Nile Group Festival is Sahar Samara. She also participated in the raqs sharqi competition Al Rakesa, organised by Dina, and she came second. I found a little bit more information about her from the website of a raqs sharqi festival held in France, where [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2897,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[20],"tags":[],"class_list":["post-2875","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-raqs-sharqi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Laban analysis of Sahar Samara belly dancing (5.7.5)<\/title>\n<meta name=\"description\" content=\"View the Laban analysis of the belly dance movements of Sahar Samara. 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Traditional dance, tourism and preservation.","publisher":{"@id":"https:\/\/worlddanceheritage.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/worlddanceheritage.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/worlddanceheritage.org\/#organization","name":"World Dance Heritage","url":"https:\/\/worlddanceheritage.org\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/worlddanceheritage.org\/#\/schema\/logo\/image\/","url":"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2020\/05\/heritage-logo.png","contentUrl":"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2020\/05\/heritage-logo.png","width":1276,"height":294,"caption":"World Dance Heritage"},"image":{"@id":"https:\/\/worlddanceheritage.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/x.com\/danceperception"]},{"@type":"Person","@id":"https:\/\/worlddanceheritage.org\/#\/schema\/person\/a5061c4e7e43b91e456683b9699ebb42","name":"Valeria","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/1704c134fff0eaaf6f8ab3d25266b26a22b1ccfb44137b7eb56a2813d41e2900?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/1704c134fff0eaaf6f8ab3d25266b26a22b1ccfb44137b7eb56a2813d41e2900?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1704c134fff0eaaf6f8ab3d25266b26a22b1ccfb44137b7eb56a2813d41e2900?s=96&d=mm&r=g","caption":"Valeria"},"description":"Hi - I'm Dr Valeria Lo Iacono &amp; I am a dance researcher with a PhD in dance as a form of living heritage. I also teach belly dance and love to travel to discover new dances around the world. I have worked also as an academic and in the UK and in Korea. Thank you for visiting my site.","sameAs":["https:\/\/worlddanceheritage.org\/about-us\/","https:\/\/www.pinterest.co.uk\/danceheritageuk\/"]}]}},"_links":{"self":[{"href":"https:\/\/worlddanceheritage.org\/wp-json\/wp\/v2\/posts\/2875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/worlddanceheritage.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worlddanceheritage.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worlddanceheritage.org\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/worlddanceheritage.org\/wp-json\/wp\/v2\/comments?post=2875"}],"version-history":[{"count":0,"href":"https:\/\/worlddanceheritage.org\/wp-json\/wp\/v2\/posts\/2875\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/worlddanceheritage.org\/wp-json\/wp\/v2\/media\/2897"}],"wp:attachment":[{"href":"https:\/\/worlddanceheritage.org\/wp-json\/wp\/v2\/media?parent=2875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worlddanceheritage.org\/wp-json\/wp\/v2\/categories?post=2875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worlddanceheritage.org\/wp-json\/wp\/v2\/tags?post=2875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}