{"id":1290,"date":"2019-05-02T16:55:30","date_gmt":"2019-05-02T15:55:30","guid":{"rendered":"https:\/\/worlddanceheritage.org\/?p=1290"},"modified":"2024-02-16T10:51:36","modified_gmt":"2024-02-16T10:51:36","slug":"framework-intro","status":"publish","type":"post","link":"https:\/\/worlddanceheritage.org\/framework-intro\/","title":{"rendered":"Conceptual Framework Intro (3.1)"},"content":{"rendered":"\n<figure class=\"wp-block-image aligncenter size-full is-resized is-style-rounded\"><a href=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/07\/dance-intro-framework.jpg\"><img data-src=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/07\/dance-intro-framework.jpg\" data-srcset=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/07\/dance-intro-framework.jpg 608w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/07\/dance-intro-framework-480x267.jpg 480w\" decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"Dance intro framework\" class=\"wp-image-15258 lazyload\" width=\"608\" height=\"338\"  sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 608px, 100vw\" \/><noscript><img decoding=\"async\" src=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/07\/dance-intro-framework.jpg\" alt=\"Dance intro framework\" class=\"wp-image-15258\" width=\"608\" height=\"338\" srcset=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/07\/dance-intro-framework.jpg 608w, https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/07\/dance-intro-framework-480x267.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 608px, 100vw\"><\/noscript><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Dance\/Heritage Questions<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The <a href=\"https:\/\/worlddanceheritage.org\/research\/literature-review\/\">literature review chapter<\/a> has traced some issues to be considered regarding dance\/heritage and has given the foundations for this research conceptual framework but also raised questions, which were listed at the end of Chapter 2.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Moreover, while dance is an embodied activity and, indeed, recent studies on dance focus on the union between body and mind (Novack, 1988; Sklar, 1994, 2001; Horton Fraleigh, 1995, 2004; Cohen Bull, 2003; Thomas, 2003; Sheets-Johnstone, 2015), the body is missing from the heritage discourse.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Sociological and Philosophical Theories <\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">I will attempt to unpack these issues through sociological and philosophical theories.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In particular, I will engage with Giddens\u2019 Structuration Theory, Merleau-Ponty\u2019s phenomenology and Bourdieu\u2019s theory of practice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although eclectic, their inclusion is not without principle; each of the concepts and theories drawn upon represents attempts at getting closer to the phenomenon of holistic dance\/heritage, as a connection of its sociocultural context and lived\/embodied experiences.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">All these theories challenge binary oppositions, attempting to integrate them (mind-body for phenomenology; structure-agency for Structuration Theory; subjectivism-objectivism in social sciences, for Bourdieu\u2019s theory of practice).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Conceptual Framework Schedule<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">I will start with a <a href=\"https:\/\/worlddanceheritage.org\/tangible-vs-intangible-critique\/\">critique of the tangible\/intangible divide<\/a> in dance\/heritage and I will then focus on the <a href=\"https:\/\/worlddanceheritage.org\/missing-body-heritage-studies\/\">missing body in heritage<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Next, I will take a philosophically inspired sociological approach, by engaging with the post-dualist theories of <a href=\"https:\/\/worlddanceheritage.org\/phenomenology\/\">Merleau-Ponty<\/a>, <a href=\"https:\/\/worlddanceheritage.org\/theory-practice\/\">Bourdieu <\/a>and <a href=\"https:\/\/worlddanceheritage.org\/structuration\/\">Giddens<\/a>, to arrive at a position that collapses tangible\/intangible dualisms in dance\/heritage.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Finally, I will propose a <a href=\"https:\/\/worlddanceheritage.org\/living-cultural-heritage\/\">model of dance as living heritage<\/a> (as per (<a rel=\"noreferrer noopener\" aria-label=\"Lo Iacono and Brown, 2016 (opens in a new tab)\" href=\"https:\/\/www.euppublishing.com\/doi\/full\/10.3366\/drs.2016.0147\" target=\"_blank\">Lo Iacono and Brown, 2016<\/a>)), which will guide my exploration of raqs sharqi as a form of heritage.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I will then list my <a href=\"https:\/\/worlddanceheritage.org\/research-questions\/\">research questions<\/a> as they have emerged from the literature review, based on my conceptual framework.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-white-background-color has-text-color has-background wp-block-paragraph\"><strong>Next Page &gt;&gt; <span style=\"text-decoration: underline;\"><a href=\"https:\/\/worlddanceheritage.org\/tangible-vs-intangible-critique\/\">Tangible versus intangible critique and divide and UNESCO<\/a><\/span>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conceptual framework for dance heritage. Research on dance as intangible cultural heritage. Post-dualist theories to overcome mind and body divide.<\/p>\n","protected":false},"author":2,"featured_media":15258,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[18],"tags":[],"class_list":["post-1290","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-framwork"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Conceptual Framework for Dance Heritage Research.<\/title>\n<meta name=\"description\" content=\"Conceptual framework for dance heritage. Research on intangible cultural heritage. Post-dualist theories to overcome mind vs body divide.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/worlddanceheritage.org\/framework-intro\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Conceptual Framework for Dance Heritage Research.\" \/>\n<meta property=\"og:description\" content=\"Conceptual framework for dance heritage. Research on intangible cultural heritage. Post-dualist theories to overcome mind vs body divide.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/worlddanceheritage.org\/framework-intro\/\" \/>\n<meta property=\"og:site_name\" content=\"World Dance Heritage Research Centre\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-02T15:55:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-16T10:51:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/worlddanceheritage.org\/wp-content\/uploads\/2023\/07\/dance-intro-framework.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"810\" \/>\n\t<meta property=\"og:image:height\" content=\"450\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Valeria\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@danceperception\" \/>\n<meta name=\"twitter:site\" content=\"@danceperception\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Valeria\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/worlddanceheritage.org\\\/framework-intro\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/worlddanceheritage.org\\\/framework-intro\\\/\"},\"author\":{\"name\":\"Valeria\",\"@id\":\"https:\\\/\\\/worlddanceheritage.org\\\/#\\\/schema\\\/person\\\/a5061c4e7e43b91e456683b9699ebb42\"},\"headline\":\"Conceptual Framework Intro (3.1)\",\"datePublished\":\"2019-05-02T15:55:30+00:00\",\"dateModified\":\"2024-02-16T10:51:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/worlddanceheritage.org\\\/framework-intro\\\/\"},\"wordCount\":303,\"publisher\":{\"@id\":\"https:\\\/\\\/worlddanceheritage.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/worlddanceheritage.org\\\/framework-intro\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/worlddanceheritage.org\\\/wp-content\\\/uploads\\\/2023\\\/07\\\/dance-intro-framework.jpg\",\"articleSection\":[\"Conceptual Framework\"],\"inLanguage\":\"en-GB\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/worlddanceheritage.org\\\/framework-intro\\\/\",\"url\":\"https:\\\/\\\/worlddanceheritage.org\\\/framework-intro\\\/\",\"name\":\"Conceptual Framework for Dance Heritage Research.\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/worlddanceheritage.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/worlddanceheritage.org\\\/framework-intro\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/worlddanceheritage.org\\\/framework-intro\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/worlddanceheritage.org\\\/wp-content\\\/uploads\\\/2023\\\/07\\\/dance-intro-framework.jpg\",\"datePublished\":\"2019-05-02T15:55:30+00:00\",\"dateModified\":\"2024-02-16T10:51:36+00:00\",\"description\":\"Conceptual framework for dance heritage. 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