Fluidity and a holistic model for researching intangible dance living heritage. The missing body and applying a dialogical paradigm.
]]>Uses of Dance Heritage as cultural heritage. Political propaganda, economic benefits, tourism, Rumba, Voudou, Shikhat, and Mibu no Hana-taue.
]]>Identity and Cultural Heritage. Identity theories for heritage and dance. Cultural memory, liquid modernity and Giddens ontological security.
]]>Internationalization and transculturality of heritage and hybridism. Concepts of cosmopolitanism, multiculturalism, globalisation related to dance heritage.
]]>Authenticity in Intangible Heritage. Critique, UNESCO 2005 Guidlines, Nara Document on Authenticity, Yamato Declaration and fluid authenticity.
]]>Transmission of cultural heritage. Safeguarding of intangible cultural heritage; essentialist vs dialogical approach; past, present and future and changes.
]]>Egyptian Raqs Sharqi literature review. PhD theses and academic writings about this dance genre, style of belly dance, and Sellers-young.
]]>Ethnochoreology literature. The history of ethnochoreology, ICTM Study Group on Ethnochoreology. dance ethnology, applied ethnochoreology, UNESCO.
]]>Dance study approach. Dance ethnology & anthropology of dance seminal studies. Kealiinohomoku, Prokosch Kurath, Grau, Cohen Bull (aka Novack) & Blacking.
]]>Intangible Cultural Heritage Case Studies for ICH UNESCO Recognition. Benefits, implementation problems, folklorization, commodification and other issues.
]]>